A person lying on a wooden bench outdoors near a lake, with eyes closed, wearing a beige jacket and white pants, resting under a tree with a blanket and belongings nearby.

Projects

“A collection of projects that hold deep meaning for me. These are the stories that go beyond the surface—work that reflects purpose, connection, and the moments that stay with you long after they pass.” - Bethanie Hines

Life Is Living

The Life is Living Festival is a vibrant celebration of art, music, wellness, and community rooted in the spirit of social change. Held annually in West Oakland’s DeFremery Park (Lil Bobby Hutton Park), this free, community-centered event brings together hip-hop, environmental justice, and social activism in a powerful expression of collective care.

Founded in 2008 by Chinaka Hodge, Hodari Davis, and Marc Bamuthi Joseph, the festival honors the legacy of the Black Panther Party by uplifting its survival programs through offerings like free breakfast, wellness resources, and spaces for healing and connection. What began as a grassroots gathering has grown into a vibrant cultural cornerstone, featuring live music, dance, visual art, a Kids Zone, skate park, and an artist marketplace—transforming public space into a dynamic “family reunion” grounded in radical hospitality, where thousands gather each year to celebrate culture, foster resilience, and imagine new ways of supporting one another.

Since 2008, I have documented the spirit and evolution of Life is Living, capturing the energy, connection, and creativity that define the festival. My intention is to archive and preserve the legacy of  community that continues to affirm its presence, creativity, and vision for the future—reflecting art's enduring power to bring people together.

Alvin Ailey Dance Theater

Bethanie Hines documented the rehearsal process for Jazz Island with the Alvin Ailey American Dance Theater in New York, directed and choreographed by Maija Garcia. The work is adapted from Geoffrey Holder’s Caribbean folktale.

The creative process was rooted in deep exploration and reflection, inviting dancers to engage with story, character, conflict, and the concept of divine intervention. Within the rehearsal space, conversation became movement, and experimentation became a language of its own.

Guided by Maija Garcia’s vision, the room held a constant exchange between imagination and embodiment—where ideas were tested, reshaped, and brought into physical form. Through her lens, Bethanie captured the intimacy of this evolution: moments where the emotional depth of the work began to emerge and take shape in real time.

Her photographs reflect both the rigor and tenderness of the process, preserving a space where storytelling, spirituality, and movement intersect.

This series serves as a visual archive of the creative process in motion—documenting the layered journey of development, and offering an enduring record of Maija Garcia’s work as a director and choreographer.

Nature Swagger

Bethanie Hines is a contributing photographer for Nature Swagger, a project by Rue Mapp that celebrates Black joy, healing, and connection in the outdoors. The work brings together stories and images that highlight the presence and experiences of Black communities in spaces where they have often been overlooked.

Through her lens, Bethanie captures moments of freedom, reflection, and belonging—images that feel grounded, alive, and deeply connected to both people and place. Her work on this project reflects her ongoing commitment to storytelling that honors identity, community, and the power of being in relationship with nature.

Intimacy with Strangers

Intimacy with Strangers is a body of work captured over the last 6 years of being the official photographer for Life is Living Festivals. Life is Living, is a national project utilizing under-resourced public urban spaces for a creative exercise in intentional community engagement and design. Springing from the idea that communities of color must be included in a new, clean, green economy and rooted in hip-hop and youth street cultures, these festivals have gathered thousands of neighborhood members at urban parks in Oakland, Harlem, Houston, San Francisco, Minneapolis and Chicago for day-long immersive experiences that provide a cultural platform to advance a collective community-building agenda.

In my opinion, Black men and boys have been broadly misread and misrepresented in this country. They are seen as a group, as a threat, and as targets. Black men are not seen as individuals who are vulnerable, navigating their own complexity and straddling multifaceted identities. Intimacy with Strangers is my attempt at capturing their nuance, individuality, and humanness.

I invite you to see them through my lens - beyond the fallacies, and within their grace.